arizona highways

as a kid i loved the big glossy picture magazine 'arizona highways.'

when it came to naming this set of beads that lovely old publication just popped into my head.

'arizona highways' - red tile ocher, dark ivory, copper green, silver foil & silvered ivory stringer.

sometimes, when you don't know what to make at the torch, just grab 3 rods that look great together and have at it.

perfect, perfect pink

my girl asked me to make her a present of a 'big pink bead.'

"baby girl" - gelly's sty pink by messy glass, transparent pink & aventurine stringer.

why name this post 'perfect, perfect pink?' because, this glass is the most amazing pink. it's soft, yet vibrant and not at all fussy.

violet nights

i bought some of that new glass from arrow springs called violet nights, i purchased it thru moretti & more.

just look how it reacts with silver foil!

it looks like moss on a rock, ok an outerspace rock... or an aerial photograph of a swamp.

i haven't had this much fun with a chemical reaction since dark silver plum met opalino yellow.

cupcakes & hamtitties

no time for beads today -
it's time to get ready for frank deblase's 40th birthday party!

240 freshly frosted homemade cupcakes.

chocolate with chocolate frosting and chocolate cherry 'decorations'

egg nog cupcakes with creamcheese whiskey frosting and caramel 'decorations'

big poppa models 2 of the hams.

encased silver foil

armed with a new booklet of fine silver foil, i made some beads with encased metal inside.

left to right:
'fairy stone' transparent light pink core, foil & transparent pink encasing
'winter sky' light gray core, foil & transparent steel gray encasing
& 'radioactive' carrot red core, copper green & red twistie, foil & clear encasing

the trick is to not burn off the foil.

just roll the foil onto the 'tacky hot' bead.
then quickly encase the foil without ever letting the flame touch, or overheat, the silver -
keep the bead beneath the flame and lay the molten glass onto the bead's surface from above.

* note that the silver 'turned' to gold in the pink bead - a really nice effect. why? i am guessing because there is gold in the pink glass *

to see close ups of these beads, please visit their page at the bead artists gallery.

it's theremin season!

i am in a full holiday swivet, so again, no bead blogging today...
i have to go to the theremin store and get miss baby a nice fat christmas theremin.



no, she never reads her mother's blog.
but in case you see her, congratulate her on being accepted to her 1st choice of schools.
Alfred University's school of Art & Design - and her dean's scholarship.

and don't let it slip about the theremin.

vahine no te vi

oh well, i was going to do a great post today...
about encasing fine silver foil and vintage italian glass ashtrays...
but, the beads are still soaking in a bowl in the kitchen and the ashtrays are unphotographed.

i did have a great time making a glass order from moretti & more

and thinking about gauguin

paul gauguin - vahine no te vi / woman of the mango, 1892

inspired by this painting, i bought some rich purple glass from arrow springs called violet nights, it is made by kugler (available thru moretti and more).

christmas is what you make of it.

more gauguin, please

i just love this color combination and am not a bit tired of it yet.



raku frit (size 2) with various reds, oranges & yellows.



'gauguin babydolls'

just messing around making more pairs of beads for earrings.
i am nearly sold out of earrings. so, there is an urgent need to make more so there will be presents.

winged hearts - a quick how-to

winged hearts are currently my favorite bead to make.

i made some scans of pages from my bead sketchbook that were notes to myself on how i make a winged heart. yes, i could easily forget a couple months from now when i am on to the next favorite bead.



it is very important to keep a record of what you are doing in the studio. i have kept a drawing and painting sketchbook since i was in high school. (and no, it's not scribed onto ancient clay tablets)

a sketchbook helps crystallize concepts, inspires you when you're flat and eventually you will have a record of beads that you may have sold and scads of techniques you have learned.

for beading, a spiral bound book works exceptionally well. you can lay it flat on the bench. also, you can fold it over so a minimal amount of paper is exposed to flying bits of aggressive rod ends.

my bead books (i have filled one and half of a second) came from an art supply store and measure 6" x 6." a nice size that fits in my glass tool box.

another end of the day heart

this week's last bead of the day.



"copper beech" winged heart - bits of left over rods (mostly special dark brown & red tile ocher) handpulled aventurine stringers and some some stray dark ivory frit

frit madness

i made frit yesterday.



with a set of stainless steel restaurant melted butter cups, some cold water and a pair of mashers - it's frit time.

flame the end of a rod into a small ball of molten glass, mash it into a lollipop, reheat lightly and plunge it into the cup of cold water. after a second in the water, viola! the lollipop end of glass will fracture into a million wee bits of frit.



the frit is a fairly large size (about a #3). you can control the size a little bit. it seems the hotter the glass when it hits the water - the smaller the frit. so, by not reheating the 'lollipop' after mashing you get a coarser frit when directly plunged into the cup of water. conversely, when you reheat the 'lollipop' to a blazing yellow (but not back to a ball) and plunge it the frit is a little smaller. it also seems to depend on what color the glass is. dark silver plum made a much finer frit than opaque uranium yellow.

i made opaque uranium yellow, dark silver plum, opalino nile green, rubino oro, alabastro pink, a blend of yellows and ochers, a blend of blues, copper red green and translucent yellow.

cold toes forever

here in upstate new york, on the lakeshore border with canada, it is dark, windy and achingly cold. i had a dream full of red summer poppies last night.

pressing my luck...

so, i still have not bought my own zoozii long&lean kalera press.
yes, still mooching off one of the other nice bead ladies at morefire.

maybe i am hoping for a bit of holiday magic?
never mind gold under the x-mas tree - this year i'd like some brass, thankyou.





'plasma' (front & side views) - opaque red, copper green, silver foil & raku

this color combination is my current favorite -
i call it gauguin, it reminds me off all his tahitian beauties and their mangos.



'gauguin earrings' - orange delight, carrot red & raku



'ocher landscape' - ocher, dark ivory, transparent topaz & raku

son of mexican refried voodoo

more 'mexican voodoo' pendants.
creepy fun for the holidays



part of a flurry of holiday sale production...



i love making these little monsters.
they are all layered up on a sterling head pin with a handcarved bone skull, one of my stray flameworked beads and then some freshwater pearls and semi-precious stones. finish it off with a waxed linen cord.



to see more of these, and learn their stupid names,
please visit them at the Bead Artists Gallery site.

big big beads

sometimes you just gotta see how much glass you can get on a mandrel.
these 2 focal beads are huge.



'flaming carrot' - orange, carrot red & raku



'oaxaca' - turquoise, special dark red, red & orange

winged hearts

my latest bead fixation...
hearts with wings.



"harlequin" black, white & carrot red

these are huge focals, perfect for pendants.



"blackbird dream" dark silver plum, dark ivory, aventurine chunk & light transparent blue



"gray lady" pastel light gray, steel gray transparent & aventurine stringers

last weekend's show "eggs and art" (a holiday art & craft sale/brunch at Java's public market cafe) was a lovely success. thank you to everyone who came out, in the sleet, for waffles and beads...

chasing my tail

running around getting ready for 3 consecutive weekends of bead & jewelry selling.

barbie stringers

unleash your inner 'barbie' by making a rubino oro encased aventurine stringer.

it's not too hard. punty up a little chunk of aventurine (goldstone) encase it all over with rubino oro then heat and pull it into a stringer. the trick is to never, never let the flame touch the goldstone or the sparkles will burn up - always work it outside the flame until it is encased.

they are so pink and full of sparkles!



here's one used to decorate the edges of a dark silver plum claw.
it's a princess goth girl kinda thing.

total eclipse of the heart

another 'end of the day' bead. made with a bit of just about everything - black, an encased chunk of gold aventurine, dark ivory, a bit of silver leaf, some raku frit, opalino yellow, dark silver plum and with opalino carnelian wings.

another large focal winged heart. made with one of my favorite color combinations - raku on coral.

seaweed

these beads remind me of the beachs in north carolina - where i ache to be. maybe i could get rid of my endless case of the sniffles.



'seaweed'



dark ivory, silver leaf & twisties.
made with the same zoozii kalera long & lean press that i was so generously allowed to use last week, and was offered again this week.



after pressing the beads i rewarmed an edge and ruffled it with my tweezers.

frankfurter sandwiches

i had a wonderful afternoon at the torch yesterday. the 'babes' are outta the kiln and soaking in a bowl downstairs. so, in the meantime, enjoy some 'frankfurter sandwiches' from 1929.

opalino carnelian blossom

this blossom is made from my favorite color of glass - opalino carnelian.



there is some encased aventurine sparkling in there and the ruffle is transparent rainbow red.

pitiful kaleras

someone i was torching with, on monday, was gracious and generous - she let me try her zoozii kalera long & lean press, thank you.



yes, i gave into press temptation...
and these are my pitiful first pressed beads.
yet, there is something about them i love, the painterly surface.
maybe i will have to get a press...



i also made this bead with the press.
because i wound entirely too much glass onto the mandrel it mushed out the sides.
with a blade i hand shaped the edges - this technique may have a future.



'maple leaf charm'
a dark ivory core with transparent red and dark special brown, encased in striking electric yellow and then the bottom rolled in fine raku frit.

winged heart

i have mentioned this before, the last bead i make almost everytime i am lucky enough to get some torch time is a large heart. in studio glass making these are traditionally called 'end of the day' pieces.



this is my all time favorite.



what's it made of? bits of stringers, the impatiently popped off ends of rods, short shorts and leftover frit. it is about 1 1/2" long. the wings are applied last (yes, it's tricky) and shaped with tweezers.

halloween pumpkin

look at the leaf 'imprint' on this gorgeous pumpkin.

1933 Betty Boop Halloween Cartoon

pairs & pairs & pairs

making pairs of beads for earrings.
you know i have those holiday shows & presents to make.



evil pods - dark silver plum, ivory, edp & silver leaf



lilies - opalino yellow, raku frit with a opaque uranium yellow ruffle



lilies - special dark brown, raku frit & anice white with a transparent red ruffle.



lilies - cobalt blue & edp with a transparent blue ruffle.



alien candy - edp & raku encased in clear.



dark waves - dark silver plum & opalino yellow.
this is a great combination - see the faint like of silver where the colors meet? i can't wait to make a whole set with these two colors.



anice white & intense black - my first attempt at this classic pairing.